peacocklocked: (we are fucked)
Aresene Lupin III ([personal profile] peacocklocked) wrote in [community profile] c17h19no32015-02-12 04:28 am
Entry tags:

It's about you, me, and tautology

What rouses him from slumber isn't a deep, satisfying yawn, the crack of his jaw over the need for oxygen to his brain, the darkness that envelops his bedroom, or the incessant chirp of birds outside his window.

He's lightheaded. It isn't the kind that comes hand in hand with a hangover after a satisfying night, no. Breaths are caught tight in his chest and throat and his legs are cramped, bracketed by something other than the humble frame of his bed. Lupin is sure this is some shit when his palms settle against wood. The air, what minimal air he has left, is thick with the scent of sandalwood.

He's in a goddamn coffin. This is decidedly not how last night ended. He and Jigen Daisuke had teamed up again for a certain painting, one held in an armored vault with a mind of its own (supposedly. Not much of one left after Arsene Lupin III got done with it. Nothing but gibberish after, not even enough for The Man Behind the Curtain.)

The first lesson in Waking Up in Your Own Coffin is to breathe as shallowly as possible, right? (He has no idea. This is his first time he'll care to remember in his adult life). His belt! His belt should have something...

His fingers feel heavy and fumble with the belt buckle, the sharp corners will probably be able to dig through the vinyl and wood pretty decently. Enough.

By the time he's dug through part of the lid his fingers are bloody and his breathing comes out fast and he's trying to keep his noises as minimal as possible, Grandpa would be able to get out of this in two snaps of his fingers, so why not him--

And that's when he hears a noise. A person shaped noise.
borsalino: (4.)

[personal profile] borsalino 2015-02-12 11:03 am (UTC)(link)
This is just another one of Those Times.

It's another few hundred dollars spent out of collective pockets to buy a coffin and a tombstone, to hire the same tight-lipped priest who sighs after every call for an appearance, who never asks and never looks like he wants to. They've gone through this whole song and dance already— Goemon, almost annoyed after Lupin's hundredth disappearing trick, sparing a day post-ceremony after which he taps Jigen on the shoulder and says, "call me when he's back".

They both trust he'll be back— Fujiko requests the same, Chanel No. 5 thick on her wrists as she tugs on Jigen's sleeve (looking as glamorous as ever in her little black dress, funeral gear or no), leans in for a kiss on the cheek that Jigen doesn't oblige (she smiles for the first time that day after that rebuff), tells him to stay in touch.

So.

Jigen watches out for the day Lupin will be back.

This time, Lupin is fast (not even 24 hours, this is a first), but his return is less conventional; the thief usually comes back in a fit of theatrics, well-timed and with a smile to preemptively dispel bad moods. Usually. Lupin is lucky that Jigen's stuck around, that he always does stick around, because the gunman hears the clawing in the coffin and the desperate picking of something metallic against the seal before he can turn and leave.

"—Give me a damn break."

Cigarette snuffed out on lacquered wood, Jigen reaches out and unclasps both ends of the casket, letting the person inside know that the lock's been undone and that he can open the door. He's almost angry— really? is Lupin really going to fucking do this today?— but first things first.

"At least let us put you in the ground first, idiot."
borsalino: (10.)

[personal profile] borsalino 2015-02-12 11:53 am (UTC)(link)
"My problem?"

There are things he expects Lupin to say: the customary "I'm back, darling"s, the "didja miss me"s, the "don't look so sour, your face might stick that way"s and the "daddy's home"s. The running theme between all these hypothetical phrases is the levity, preemptive congeniality to soften the anger or the relief or the exasperation, an airbag against potential impact.

This, though. A moment of bemusement flashes across Jigen's face at this moment of audacity, as if Jigen's the one that wanted to put Lupin in this stupid casket that's now gone completely to waste.

Lupin wants to give Jigen an atomic wedgie? Not before Jigen punches him into the goddamn stratosphere.

"Alright, I'm going to give you a moment to air out your damn brain. Only a moment."

The delivery of this statement suggests that it's not an idle threat, but the indignance wanes and makes way for vague surprise when he sees the streak of blood decorating the ceiling and edge of the coffin, upon noticing the split skin along nails and knuckles.
borsalino: (2.)

[personal profile] borsalino 2015-02-13 04:49 am (UTC)(link)
The costume change, the transition from searing red to cyan, doesn't escape Jigen's notice. But ultimately, he's seen stranger tricks, knows how many outfits Lupin hides in dark places (the casket is as good a place as any) and how many layers of makeup he can wear on a good day for occasions meant to boggle; it's perplexing, but not as perplexing as the rest of the package that starts with the uncharacteristic signs of struggle and ends with distinct cognitive dissonance in the form of a casual Jigen Daisuke.

Jigen Daisuke?

If Lupin is going for the chiding parent tone here, the humor is lost on Jigen. It's an unnecessary reminder of days spent as a hired gun, where the danger of being killed was more prevalent in headquarters and not on the field.

Jigen Daisuke. As if they haven't spent the last few decades being profoundly shitty all over the globe with each other. Spare him.

"Where did I put what? The only thing that's missing here is the screw that's supposed to be keepin' that thick skull of yours together."

In a tone that's maybe too-familiar, devoid of boundaries save for the one that he's just put up, the one that shows in his posture and the quick flick of a right hand to the space between the small of his back and his belt. He likes to think that he can identify an impostor from a mile away, but this one... well. He's Lupin at his slickest, breeziest, the Lupin who turns around in a swivel chair waiting for you in the dead of night. Cliche but classic.

There's an audible click of nails hitting metal, the sound of an index finger rotating the cylinder of a loaded revolver.

"Lupin?"
borsalino: (15.)

[personal profile] borsalino 2015-02-13 07:17 am (UTC)(link)
Jigen isn't the scenarios guy, but he can spot deviations from an overarching script when they happen. There's something wrong— there's supposed to be something else here, hands in pockets and toes skating along the floor, maybe a "don't sulk, Jigen-chan, jeez". A reverse tantrum for Jigen's vexation.

His feet find footing on solid ground, heels digging into the cracks between wood paneling of the musty funeral parlor. Shootout position, except the spar is verbal and Jigen isn't going to show off his quick-draw prowess until he sees a glint of that Walther.

"Bastard, you just fell off a ten-story building and pretended to be dead for a few goddamn hours and you're asking me what I'm thinking?"

What do you think, is the accusation, and with it, Jigen changes his mind; to hell with distance, he spans the few steps he needs to get right up in his partner's (his partner's?) face, too-warm hands going straight for the collar of that unfamiliar cerulean blue and tugging. Sharply.

"If this is one of your pranks, save it. Just say that you hit your head too hard, and I'm willing to not kick your ass all the way back to our hideout."
borsalino: (7.)

[personal profile] borsalino 2015-02-13 08:45 am (UTC)(link)
Coldness isn't a word he'd usually attribute with Lupin, and it's not exactly the frigid cold of winter that welcomes Jigen's aggravated aggression (thankfully, he might have had to pull away immediately if that were the case), but it is the thin chill of autumn; warmth of summer sweetly clinging to an incoming breeze, a fading heat in the face of longer nights. It's disorienting not to hear the apology underlining the selfish adherence to form, and it rankles, the refusal to acknowledge the mock-death in its entirety. What the hell is Lupin playing at?

He keeps Lupin upright with the vice-grip he has on his collar, pressed fabric creasing under tense fingers. Under the heavy shade of his Borsalino, he makes no effort to hide the fact that he's looking, watching. Testing.

After all, what kind of partner would be fooled by a fake?

"Fraulein...? What, a new treasure you want to swipe? Now's not the time."

At the very least, Jigen's pronunciation of European languages is as American and flat as Lupin might remember. Hauling scuffed shoes up neatly on equally-scuffed floor, Jigen pats dust off of Lupin's suit with the free hand that's not still trying to tether the thief to reality.

"You've pissed Goemon off again, don't even bother trying to apologize to him. And don't mention this crap about drugs, you know that none of us touches that kinda stuff."
borsalino: (2.)

[personal profile] borsalino 2015-02-14 06:57 am (UTC)(link)
Still off. Nonchalance is one thing, the general feeling of confusion isn't. For a man of his profession, for a grade-A thief who plans his own funerals as meticulously as he does his capers, this reaction to what Jigen assumed was a premeditated self-murder is too mellow. Too... anticlimactic? If every artist has a signature, this one is missing the customary flourish.

That, and there's not even a hint of the familiar "Jigen-chan", no irritating attempt for a stolen hug, no move to placate or parody a heartwarming reunion. The hand on the collar shudders subtly, like a silent sigh, and tears itself away, fingers curling in and away from palms as if to test its tangibility.

"What the hell is wrong with you."

That's the first hint he gives regarding the fact that he knows that something isn't adding up. If he were less confounded, he really might have punched the guy in the face, driven hard knuckle into the outline of those familiar features just to make sure that the man in front of him can bleed, has skin in lieu of latex, is human, is Lupin.

Instead, he takes a wary step back— the familiar look of a wolf, cornered— and clicks his tongue. The sound echoes in the room, like the sound of a safety being released.

"You're acting like you don't even know who the hell I am. I've dealt with all your wishy-washy nonsense before, but now I'm really getting fed up with this crap."
borsalino: (4.)

[personal profile] borsalino 2015-02-15 01:03 am (UTC)(link)
The request is familiar, the delivery less so; but instinct has Jigen reach inside his suit pocket for his Zippo, trained fingers flicking the lid and snapping the wheel to make sparks fly until they ignite. Click, click, burn.

Maybe it's the relief that comes from seeing those Gitanes, as strange as it is to see that familiar blue packaging melting into the shade of Lupin's jacket.

(He's reminded of the time they stole a Picasso, one of the painter's early works, rendered in cobalts and moody indigos. "This is when Picasso was still figuring himself out," Lupin'd said with a degree of fondness, tapping his knuckles against modest wooden framing. "All great artists need their own Blue Period.")

The hand holding the lighter stills, hesitating in the seconds between his action and his decision, but eventually— it obliges, because as much as Jigen is addicted to Pall Malls, he's addicted to the secondhand smoke from Lupin's cigarettes.

He doesn't look too happy about his private revelation.

"You never say sorry." That's a lie, Lupin says it plenty of times, in varying degrees of seriousness, but Jigen's statement is more an indication of continuing caution than it is anything else. The Zippo snaps shut, drops back in its nest in Jigen's pants. "But, fine— what is it, I might as well."
borsalino: (11.)

[personal profile] borsalino 2015-02-15 08:25 am (UTC)(link)
These are a lot of hypotheticals, and the practicality is... well, it isn't uncharacteristic but it does feel preemptive. Premature. Jigen is missing the distinct warmth of an elbow on the shoulder or a smirk pressed up near his face, and his shoulders rise to test that invisible weight, to pull away from that missing proximity.

Lupin's supposed to be insufferable. Why isn't he being insufferable? Why is he being mildly reasonable? His lips thin, hands now shoved in pockets to pitch his posture forward, this time. A slouch, a defensive curl inwards.

"You must've hit your head pretty damn hard, if you're asking permission for me to take you back to base. I wasn't plannin' on staying in this gloomy place for longer than I have to."

Heels turn towards the exit, the incline of Jigen's head silently motioning for Lupin to follow if he wants to. There's no doubt about the fact that it's stupid to turn your back on someone when you don't know if they're planning something fishy, but it's also an indication of Jigen's trust, that he's willing to show that courtesy as long as this person— Lupin, an impostor, whatever— doesn't try anything funny. Trusting isn't his default, but it is when the person in question purports himself to be Arsene Lupin III.

"The Fiat's in the back. I'm driving, I don't trust you at the wheel right now."
borsalino: (7.)

[personal profile] borsalino 2015-02-15 11:15 am (UTC)(link)
Yellow, not exactly a discreet or conventional color for a thief, but. Go big or go home. Lupin might notice how easily Jigen opens the door to the driver's seat, how he handles the car as lovingly as he would his .357 and hums in time with the starting of the ignition, a soft rumble that he emulates down to the pitch. No matter how many times they total the thing, how many times he gets on an identical Fiat and adjusts his form to the new seats, he can place that rattle and shake of engines anywhere. He's a man that loves the classics.

It seems to calm him down some, being in that space, buckling himself down. His posture eases, weight sinking into springs that give way and creak into position. The phrase 'the hug of cushion' seems apt.

"Navigator, right. Get in, Magellan."

The back lot is empty, predictably— the local funeral parlor's not exactly a hangout for hip youngsters, the last time Jigen checked— and the establishment itself is a diminutive, modest building, tucked quietly in the corner of town away from prying eyes or nosy inspectors that would have a mini heart-attack upon hearing about who they put in a coffin today.

(They can't begin telling Zenigata about every time Lupin fakes dead, even Jigen's not that cruel.)

Jigen pulls out the cigarette receptacle in their car, a little compartment that's already full to the brim with stubbed ends. Whether that's due to his heavy smoking habits, or because the past few hours have been trying, that's up to Lupin to decide.

"Damn, we've gotta clean this thing. The back's starting to clutter, too— all that weird stuff you stash back there."
borsalino: (2.)

[personal profile] borsalino 2015-02-16 01:11 am (UTC)(link)
Jigen watches with one sharp elbow resting against the ridge of his own unopened car window, attention flicking between the forks in the road (he turns right when prompted) and the man curling smoke immediately to his side. Their path narrows with distance, smooth asphalt making way for secretive cobblestones that rattle under the spokes of sturdy wheels, a steady rat-tat-tat like gunfire. It's strangely relaxing.

"You're keeping something from me," he finally says with a degree of authority. Well aware that he's not tossing back the pitches that are being thrown at him, Jigen makes another turn and worms the Fiat into a quieter neighborhood, where the roads are barely wide enough for a car and a half.

If Lupin was the suspicious sort, or if he wasn't aware of exactly where they're going (the right way, incidentally), he might have suspected the gunslinger of foul play; taking him into a back alley and shooting him, point blank. Their version of the yellow cab rumbles on.

"What sort of mess did you get yourself into this time?"

Jigen's no detective— he doesn't do the decoding, but he is in possession of instincts. A languid tilt of the head punctuates his question, a gesture that screams "you probably won't give me a straight answer", cultivated by years and years of having this conversation and running into the same conclusion. Astonishingly, Jigen doesn't look bitter about it at all.
borsalino: (4.)

[personal profile] borsalino 2015-02-17 12:24 am (UTC)(link)
The only real convenience the house provides is its modest garage, and Jigen pulls into it with practice, putting the car in reverse and backing up into the small, hidden space. Darkness casts long shadows over them as the shutters come down slowly, mechanical grinding of too-old machinery moving to seal them in their claustrophobic confines.

Jigen makes no move to open the door first, even as the garage descends into pitch-black, inky and unsettling.

"Some billionaire hotshot scientist with a rare metal that you wanted to turn into a ring for Fujiko."

Recited with the affectation of a man who's been subjected to this same ruse dozens, hundreds, thousands of times. It's impossible to see his expression in the dark (if he'd get out, the motion sensors'd flood the place with light), but his tone speaks volumes: "no way you'd forget anything that has to do with some idiotic scheme involving that woman".

But just in case Lupin misses it— because this man doesn't seem like his Lupin, the Lupin in red, Lupin the coquette— he appends:

"Not something you'd forget."

This sounds more like "Your move, Lupin the Third".
borsalino: (10.)

[personal profile] borsalino 2015-02-17 03:19 am (UTC)(link)
Even in the dark, it should be abundantly obvious how Jigen deflates, forearms settled on the locked steering wheel, chin threatening to rest on said forearms. There's a shuffle in the dark, slow and resigned, mirroring the quiet scramble that Jigen'd heard in the funeral parlor underneath the heavy lid of a closed casket. Full circle.

"Never thought I'd say this, but I can't believe you're not calling her 'Fujicakes'."

Profoundly humiliating. The syllables sound alien on his tongue, clicked between reluctant teeth (Fujicakes, how does Lupin even do it). That settles it, though, and when the lights snap on to the sound of a door being swung open, Jigen narrows his eyes under his hat and looks pointedly at the bare concrete walls of the garage, following the shadow of his 'partner'.

"So, what is it? You're definitely not the Lupin I know— where's the bump on your head, so I can set you right."

Preferably by swatting his palm at it in hopes that it might get Lupin to remember important things about all of them again, for christ's sake. He's calling amnesia for now, maybe a concussion; alternate dimensions is such a strange place for his mind to go, and it doesn't go there, not yet. Equating this with their relationship at its infancy doesn't exactly click for him.
borsalino: (11.)

[personal profile] borsalino 2015-02-17 06:56 am (UTC)(link)
It's with great reluctance that Jigen starts easing into this concept, that this Lupin in blue is, in fact, not the Lupin they were going to bury a few hours ago. The other guy seems more comfortable with the idea... or, well. More willing to propose it, which probably should be a point in his favor. No one likes admitting that they're misplaced, especially not Arsene Lupin the Third, whose paths always remain gleefully unknown or gleefully pre-designed.

Nails play with a familiar scratch on the hood of their Fiat, tracing a mark that grounds Jigen in his version of reality. His magnum is still the same weight, resting primly on the waistband of his pants, an anchor.

"We definitely weren't looking for a painting. That would've been an actual money job."

Meaning, it was one of those stupid capers that they got themselves into for the thrill of it, and also because Fujiko put on a bikini and said something sweet to Lupin in one seedy place or another. His high opinion of her clearly never changes in any iteration, expressed with a breeziness that veers on the side of tetchiness.

But above it all, he doesn't miss the sweetness with which Lupin mentions Fujiko, the spark that comes with it, an errant flame that should be dangerous but never burns the whole house down. It's not anything that someone else can emulate; an impostor would give themselves away immediately by failing to have that self-destructive energy.

As ridiculous as this all is, he's starting to be convinced. (And really, they've been through some truly weird situations, so this is nothing too new. Too new.)

"What we were looking for was a rare metal made by some physicist or other. Something about it being able to bend magnetic or spacial fields under the right conditions. Probably a crock of shit."

The science went way over Jigen's head, obviously.

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